[et_pb_section fb_built=”1″ specialty=”on” admin_label=”Post Layout” _builder_version=”4.16″ collapsed=”off” global_colors_info=”{}”][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” locked=”off” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Gary’s Corner original text 4\/14 \u2013 4\/16\/2023″ _builder_version=”4.20.0″ link_text_color=”#0c71c3″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” transform_scale_linked=”off” transform_translate_linked=”off” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
We were very encouraged by the audience response to two new<\/span> additions to last week’s schedule: the Dardenne Brothers’\u00a0riveting Tori and Lokita<\/strong><\/em> and the French-Cambodian drama Return to Seoul<\/strong><\/em>, both highlights of the 2022 Cannes Film Festival. Each film will have additional screenings this weekend.\u00a0\u00a0<\/p>\n New<\/span> Plaza<\/span>‘s\u00a0survey — both in our Talk Backs and in the cinema<\/span> — of the fascinating movie<\/span> year 1973 continues with a very rare theatrical screening of perhaps the best Harold PInter film adaptation: The Homecoming<\/strong><\/em>.\u00a0In his roundup of that year’s best films, the NY Times’<\/em> venerable Vincent Canby wrote, “…the American Film Theatre<\/span>‘s screen version of PInter’s play, directed\u00a0by Peter Hall, proves that Pinter, even when he writes for the stage, is one of the best film writers around.\u00a0 All of the performances are fine, but Vivien Merchant and Ian Holm are outstanding.”\u00a0<\/em><\/p>\n After\u00a0last weekend’s attendance we decided to bring back The Sorrow and the Pity<\/strong><\/em> for yet another encore…perfect for this rainy Saturday.\u00a0Bill Nighy in Living<\/em><\/strong> will on Friday evening play the final screening of its epic four-month Macaulay engagement, and Turn Every Page<\/em><\/strong> will be with us for this, and one more weekend.\u00a0\u00a0<\/p>\n On April 21 we’ll be debuting a new<\/span>, propulsive film version of Bizet’s legendary Carmen<\/strong><\/em>, directed by dancer-choreographer Benjamin Millepied;\u00a0Everything Went Fine<\/em><\/strong>, from French provocateur Francois Ozon starring Sophie Marceau,\u00a0Andre Dussollier, Charlotte Rampling and Hanna Schygulla; as well as\u00a0a premiere collection of short films from NYC filmmakers — ticket are now on sale for that one…<\/p>\n<\/p>\n <\/p>\n<\/div>\n [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_sidebar orientation=”right” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_sidebar][\/et_pb_column][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" \u00a0 We were very encouraged by the audience response to two new additions to last week’s schedule: the Dardenne Brothers’\u00a0riveting Tori and Lokita and the French-Cambodian drama Return to Seoul, both highlights of the 2022 Cannes Film Festival. Each film will have additional screenings this weekend.\u00a0\u00a0 New Plaza’s\u00a0survey — both in […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-13003","post","type-post","status-publish","format-standard","hentry","category-garys-corner"],"_links":{"self":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/13003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/comments?post=13003"}],"version-history":[{"count":2,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/13003\/revisions"}],"predecessor-version":[{"id":13006,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/13003\/revisions\/13006"}],"wp:attachment":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/media?parent=13003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/categories?post=13003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/tags?post=13003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
New Plaza Cinema<\/strong><\/em><\/div>\n