{"id":15464,"date":"2023-09-14T18:27:38","date_gmt":"2023-09-14T18:27:38","guid":{"rendered":"https:\/\/newplazacinema.org\/test_area\/?p=15464"},"modified":"2023-09-20T15:06:20","modified_gmt":"2023-09-20T15:06:20","slug":"films-this-week-9-15-2023","status":"publish","type":"post","link":"https:\/\/newplazacinema.org\/test_area\/films-this-week-9-15-2023\/","title":{"rendered":"Films this week 9\/15 to 9\/17\/2023"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; specialty=&#8221;on&#8221; admin_label=&#8221;Post Layout&#8221; _builder_version=&#8221;4.16&#8243; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_4&#8243; specialty_columns=&#8221;3&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_row_inner _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; locked=&#8221;off&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Gary&#8217;s Corner original Marybeth&#8217;s edit&#8221; _builder_version=&#8221;4.22.1&#8243; link_text_color=&#8221;#0c71c3&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; transform_scale_linked=&#8221;off&#8221; transform_translate_linked=&#8221;off&#8221; hover_enabled=&#8221;0&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h2><\/h2>\n\n<p>The British drama <strong><em>Scrapper<\/em><\/strong> joins New Plaza Cinema&#8217;s first run film lineup this weekend. Winner of the\u00a0World Cinema Dramatic Prize at this year&#8217;s Sundance Film Festival,\u00a0<strong><em>Scrapper<\/em><\/strong> recalls the\u00a0late 50s to early 60s UK golden age of &#8220;kitchen sink realism&#8221;\u00a0cinema &#8212; films like <em>A Taste of Honey,\u00a0Saturday NIght, and Sunday Morning<\/em> and <em>Whistle Down the Wind<\/em>.<\/p>\n<p>In her recent <em>NY Times<\/em> Critic&#8217;s Pick review, Claire Shaffer writes, <em>&#8220;Director Charlotte Regan&#8217;s feature debut is as whip-smart as the 12-year-old girl at its center. Georgie (played wonderfully by newcomer Lola Campbell), lives alone in her apartment in London following the death of her mother&#8230;&#8217;Scrapper&#8217; is tender without falling into sappiness.\u00a0Regan doesn&#8217;t romanticize Georgie&#8217;s struggles with poverty, grief and bullying, which are accompanied by a gritty sense of humor.\u00a0 At the same time, the film&#8217;s vivid cinematography fills the screen with symmetry and pastel colors..<\/em>..&#8221;<\/p>\n<p>On Sunday afternoon we&#8217;ll be screening Joan Micklin Silver&#8217;s\u00a01988 romantic comedy <strong><em>Crossing Delancey,<\/em><\/strong> followed by a Q&amp;A with our very special guest, its star Peter Riegert.\u00a0At press time tickets were sold out. We will have a standby line at showtime.<\/p>\n<p>Among our various holdovers I would particularly note Pablo Lorrain&#8217;s 2012 drama <strong><em>NO,<\/em><\/strong> one of several exceptional films from last weekend&#8217;s program commemorating the 1973 overthrow of Chilean president Salvador Allende.\u00a0Manohla Dargis original <a href=\"https:\/\/www.nytimes.com\/2013\/02\/15\/movies\/no-with-gael-garcia-bernal.html#:~:text=Tastes%20Great!&amp;text=The%20Times%20critic%20Manohla%20Dargis%20reviews%20%E2%80%9CNo.%E2%80%9D&amp;text=Marshall%20McLuhan%20called%20advertising%20the,also%20a%20way%20of%20life.\">review<\/a> is well worth reading in full.<\/p>\n<p>After five near-capacity weekends, we had to &#8220;pause&#8221; our screenings of Luchino Visconti&#8217;s <em><strong>The Leopard<\/strong><\/em>, with Burt Lancaster, Alain Delon, and Claudia Cardinale, but it&#8217;s back this weekend &#8212; the ultimate autumn Saturday matinee&#8230;<\/p>\n<p>Also reprising this weekend &#8212; the bound-for-award-season-glory <strong><em>Past Lives<\/em><\/strong>, the mischievous <strong><em>Theatre Camp<\/em><\/strong>,\u00a0Joan Silver&#8217;s debut film <strong><em>Hester Street<\/em><\/strong>, crowd pleaser <strong><em>The Miracle Club<\/em><\/strong> and of course <strong><em>Make Me Famous<\/em><\/strong>, with &#8212; as usual &#8212; its producer and director &#8220;telling all&#8221; afterwards.<\/p>\n<p>Coming soon:<br \/>\nSept 22 &#8211; Michael Roemer&#8217;s rediscovered classic,\u00a0<em>The Plot Against Harry<\/em><br \/>Sept 29 &#8211; <em>Carlos<\/em> &#8212; a brand-new documentary portrait of the guitar wizard, plus <em>The Storms of Jeremy Thomas<\/em>, chronicling the daring art-film producer of <em>The Last Emperor <\/em>and dozens of others<br \/>Oct 6 &#8211;\u00a0 Pedro Almodovar&#8217;s latest,\u00a0 <em>Strange Way of Life<\/em>, starring Ethan Hawke and Pedro Pascal<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>Gary Palmucci, Film Curator<br \/>New Plaza Cinema<\/strong><\/em><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_sidebar orientation=&#8221;right&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_sidebar][\/et_pb_column][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>  The British drama Scrapper joins New Plaza Cinema&#8217;s first run film lineup this weekend. Winner of the\u00a0World Cinema Dramatic Prize at this year&#8217;s Sundance Film Festival,\u00a0Scrapper recalls the\u00a0late 50s to early 60s UK golden age of &#8220;kitchen sink realism&#8221;\u00a0cinema &#8212; films like A Taste of Honey,\u00a0Saturday NIght, and Sunday Morning and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-15464","post","type-post","status-publish","format-standard","hentry","category-garys-corner"],"_links":{"self":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/15464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/comments?post=15464"}],"version-history":[{"count":5,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/15464\/revisions"}],"predecessor-version":[{"id":15603,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/15464\/revisions\/15603"}],"wp:attachment":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/media?parent=15464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/categories?post=15464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/tags?post=15464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}