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Over the past two years New Plaza Cinema has collaborated with Netflix to bring some of their outstanding\u00a0theatrical features to our screen, including\u00a0Power of the Dog, The Lost Daughter,<\/em>\u00a0and\u00a0All Quiet on the Western Front<\/em>.\u00a0There’ll be more here from Netflix this fall, starting this weekend with the sizzling high-finance-workplace drama\u00a0Fair Play<\/em><\/strong>.\u00a0\u00a0 \u00a0<\/strong><\/em><\/p>\n<\/p>\n Gary Palmucci, Film Curator [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_sidebar orientation=”right” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_sidebar][\/et_pb_column][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Over the past two years New Plaza Cinema has collaborated with Netflix to bring some of their outstanding\u00a0theatrical features to our screen, including\u00a0Power of the Dog, The Lost Daughter,\u00a0and\u00a0All Quiet on the Western Front.\u00a0There’ll be more here from Netflix this fall, starting this weekend with the sizzling high-finance-workplace drama\u00a0Fair Play.\u00a0\u00a0Another\u00a0highlight of […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-16056","post","type-post","status-publish","format-standard","hentry","category-garys-corner"],"_links":{"self":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/16056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/comments?post=16056"}],"version-history":[{"count":5,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/16056\/revisions"}],"predecessor-version":[{"id":16070,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/16056\/revisions\/16070"}],"wp:attachment":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/media?parent=16056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/categories?post=16056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/tags?post=16056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Another\u00a0highlight of this year’s Sundance Film Festival (we’ve already played\u00a0Past Lives, Miracle Club<\/em>, and\u00a0Scrapper)<\/em>,\u00a0Fair Play<\/em><\/strong>\u00a0spotlights Alden Ehrenreich and Phoebe Dynevor in what Amy Nicholson, in her\u00a0NY Times<\/em>\u00a0Critic’s Pick review called “a superbly malevolent erotic thriller about two ambitious financial analysts who drink too much, sleep too little and cannot afford to bring their feelings to work.”\u00a0This competitive couple is also secretly engaged, and as Nicholson notes,\u00a0“…Chloe Domont the writer-director (and Billions alum) of this impeccable debut feature, suspects (they) might not survive her cutting observations on money, gender and power.”\u00a0\u00a0<\/em>
Ehrenreich, who started his career with elite directors like Coppola, Woody Allen, and the Coen brothers, and had a small but important role in\u00a0Oppenheimer<\/em>\u00a0as a Senate aide, is finally coming into his own as a leading man, and newcomer Dynevor provides his raw, fearless match.\u00a0One of our most astute film critics,\u00a0Time<\/em>\u00a0magazine’s Stephanie Zacharek noted in her review,\u00a0
“This workplace psycho-romance traces the resentments that can asphyxiate a couple when one partner\u2019s career escalates as the other\u2019s falters, and it does so in the service of a bigger picture.”\u00a0\u00a0<\/em>
We’ll be adding extra screenings of\u00a0Fair Play<\/em><\/strong>\u00a0this weekend.\u00a0\u00a0
Coming next weekend from Netflix:\u00a0Nyad<\/em>, a portrait of the daring long-distance ocean swimmer Diana Nyad, starring Annette Bening and Jodie Foster, from the filmmakers of New Plaza favorite,\u00a0Free Solo<\/em>.\u00a0 \u00a0
Also holding over:\u00a0Past Lives, Radical Wolfe<\/em><\/strong>\u00a0(with director Richard Dewey and possible special guest(s) back for a Q&A on Sunday), Luchino Visconti’s 1960, pre-Leopard<\/em>\u00a0classic\u00a0Rocco and His Brothers<\/em><\/strong>, and a final screening of Pedro Almodovar’s “mini-double,”\u00a0Strange Way of Life<\/strong><\/em>\u00a0and\u00a0The Human Voice<\/strong><\/em>.\u00a0
And, please join us if you can for Friday’s 4 pm screening of Billy Wilder’s\u00a0Double<\/em><\/strong>\u00a0Indemnity<\/strong><\/em>\u00a0— in the audience will be a group of visiting Parisian high school students and their teacher, a cineaste eager to expose them to an American film noir classic on a big screen.\u00a0They are, he promises, under strict instructions “to speak English only!” on their NYC sojourn…<\/p>\n
New Plaza Cinema<\/strong><\/em><\/p>\n