{"id":16293,"date":"2023-11-03T22:50:43","date_gmt":"2023-11-03T22:50:43","guid":{"rendered":"https:\/\/newplazacinema.org\/test_area\/?p=16293"},"modified":"2023-11-03T22:51:30","modified_gmt":"2023-11-03T22:51:30","slug":"films-this-week-11-04-2023","status":"publish","type":"post","link":"https:\/\/newplazacinema.org\/test_area\/films-this-week-11-04-2023\/","title":{"rendered":"Films this week 11\/04\/2023"},"content":{"rendered":"

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Due to both CUNY events and the NYC Marathon, we’ll only be screening this weekend on Saturday. We’ll be back to a full schedule next weekend.\u00a0But we’ve packed the day with a quintet of outstanding films.\u00a0\u00a0

The Persian Version<\/em><\/strong> joins a group of diverse highlights, including\u00a0Past Lives, Theatre Camp, Scrapper,\u00a0 Shortcomings<\/em> and The Eternal Memory<\/em>\u00a0— which we’ve featured from this year’s Sundance Film Festival.\u00a0The Persian Version<\/em><\/strong> was awarded both the US Dramatic Competition Audience Award and the Waldo Salt Screenwriting prize.\u00a0

On RogerEbert.com, a forum for many of the nation’s up-and-coming young critics, Nick Allen wrote,\u00a0“Writer-director Maryam Kesharvarz’s film is an ebullient rule-breaker, and it does so in the name of the many women it wants to celebrate…At first, it’s about rebellious New Yorker Leila, who clues us into her life of being a first-generation Iranian-American but also the ‘fuckup’ of her big family.\u00a0Then, in fourth-wall-breaking sequences straight from ‘Fleabag,’\u00a0 Leila tells us about her past of mixing American culture with her trips to Iran and how she wants to be the Iranian-American Scorsese…”\u00a0 <\/em>\u00a0

Add to this already-teeming narrative the heroine’s fractured relationships and her poignant parental connections and you have “a storytelling style few directors would dare…a dazzling thing to witness.”\u00a0\u00a0

And direct from its ongoing, smashingly successful downtown re-release, we’re also adding the 1993 Hong Kong classic Farewell My Concubine<\/em><\/strong>, co-winner (with Jane Campion’s The Piano<\/em>) of that year’s Cannes Festival Palme d’or and Best Foreign Film from the NY Film Critics. Director Chen Kaige’s epic, initially shorn in the US by Miramax’s “Harvey Scissorhands'” of some 20 minutes, is being screened here theatrically at full length for the first time.\u00a0 \u00a0

It encapsulates, at seemingly breakneck speed,\u00a0nearly seven decades of Chinese history in a saga of two “stage brothers”\u00a0in the Beijing Opera, and the woman who mesmerizes them (Gong Li, NY Film Critics’ Best Supporting Actress).\u00a0Another New Plaza Cinema “epic for a cloudy weekend afternoon.”

We’ll also be shoehorning in ‘last chance’ screenings of The Royal Hotel<\/em> with Jennifer Garner,\u00a0Pedro Almodovar’s mini-double Strange Way of Life\/ The Human Voice<\/em><\/strong> and the incandescent Past Lives<\/em><\/strong>.\u00a0\u00a0

Our Noirvember dark classics, on Sunday November 12th and 19th, will be Joseph H. Lewis’ Gun Crazy<\/em> and Jules Dassin’s Night and the City<\/em>.\u00a0\u00a0

The always-a-sellout “Short Films by NYC Filmmakers”\u00a0will return on November 12.\u00a0Also coming soon: the documentaries Joan Baez – I Am a Noise<\/em>, and early aughts classic The Wild Parrots of Telegraph Hill<\/em> with director Judy Irving in person.
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\u00a0<\/strong><\/em><\/div>\n

Gary Palmucci, Film Curator
New Plaza Cinema<\/strong><\/em><\/p>\n

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Due to both CUNY events and the NYC Marathon, we’ll only be screening this weekend on Saturday. We’ll be back to a full schedule next weekend.\u00a0But we’ve packed the day with a quintet of outstanding films.\u00a0\u00a0The Persian Version joins a group of diverse highlights, including\u00a0Past Lives, Theatre Camp, Scrapper,\u00a0 Shortcomings and […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-16293","post","type-post","status-publish","format-standard","hentry","category-garys-corner"],"_links":{"self":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/16293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/comments?post=16293"}],"version-history":[{"count":2,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/16293\/revisions"}],"predecessor-version":[{"id":16296,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/16293\/revisions\/16296"}],"wp:attachment":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/media?parent=16293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/categories?post=16293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/tags?post=16293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}