[et_pb_section fb_built=”1″ specialty=”on” admin_label=”Post Layout” _builder_version=”4.16″ collapsed=”off” global_colors_info=”{}”][et_pb_column type=”3_4″ specialty_columns=”3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_row_inner _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” locked=”off” collapsed=”off” global_colors_info=”{}”][et_pb_column_inner saved_specialty_column_type=”3_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Gary’s Corner original Marybeth’s edit” _builder_version=”4.23.4″ link_text_color=”#0c71c3″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” transform_scale_linked=”off” transform_translate_linked=”off” locked=”off” global_colors_info=”{}”]<\/p>\n
This is a New Plaza Cinema weekend where we give extra shows to some films that’ve been packing the house in recent weeks, as well as reprises to others that had to come off screen due to our ever-crowded award-season scheduling. One Oscar nominee, The Teachers’ Lounge<\/em><\/strong> (Best International Feature, Germany) continues its sterling run; another, Four Daughters<\/em><\/strong> (Best Documentary Feature) returns to cast its unique spell of female emotion and enigma. Its Tunisian director Kaouther Ben Hania visited us last month for an unforgettable Q & A. We welcome Academy members at all screenings of these nominees, subject to available seating.\u00a0 \u00a0<\/p>\n We’ll have two prime-time screenings of Francois Ozon’s darkly uproarious farce The Crime Is Mine<\/em><\/strong>; the eruption from New Plaza Cinema audiences of both laughter and applause that greets this film’s closing credits is itself worth the price of admission. Another surprising French crowd-pleaser, Driving Madeleine<\/strong><\/em> is back after a brief hiatus (and many audience requests) with its quietly luminous duo, Line Renaud and Dany Boon.\u00a0\u00a0<\/p>\n We also want to give Upper West Side audiences another chance to experience\u00a0 There are two new additions to our program:\u00a0\u00a0<\/p>\n And here’s a quick snapshot of other new films which will be joining our program next weekend and beyond:\u00a0\u00a0<\/p>\n On President’s Day weekend:\u00a0<\/p>\n And on February\u00a023:\u00a0<\/p>\n <\/p>\n Gary Palmucci. Film Curator [\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_sidebar orientation=”right” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_sidebar][\/et_pb_column][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" This is a New Plaza Cinema weekend where we give extra shows to some films that’ve been packing the house in recent weeks, as well as reprises to others that had to come off screen due to our ever-crowded award-season scheduling. One Oscar nominee, The Teachers’ Lounge (Best International Feature, Germany) […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-17978","post","type-post","status-publish","format-standard","hentry","category-garys-corner"],"_links":{"self":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/17978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/comments?post=17978"}],"version-history":[{"count":3,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/17978\/revisions"}],"predecessor-version":[{"id":17982,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/17978\/revisions\/17982"}],"wp:attachment":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/media?parent=17978"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/categories?post=17978"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/tags?post=17978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Hirokazu Kore-eda’s drama Monster,<\/em><\/strong> a new high point for the Japanese auteur of Shoplifting<\/em> and other modern classics. It’s in the third month of its downtown engagement.\u00a0\u00a0<\/p>\n\n
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New Plaza Cinema\u00a0<\/em><\/strong><\/p>\n