{"id":3969,"date":"2020-12-31T13:37:55","date_gmt":"2020-12-31T13:37:55","guid":{"rendered":"https:\/\/newplazacinema.org\/test_area\/?p=3969"},"modified":"2021-11-29T19:35:05","modified_gmt":"2021-11-29T19:35:05","slug":"looking-back-at-2020","status":"publish","type":"post","link":"https:\/\/newplazacinema.org\/test_area\/looking-back-at-2020\/","title":{"rendered":"Looking back at 2020"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; specialty=&#8221;on&#8221; admin_label=&#8221;Post Layout&#8221; _builder_version=&#8221;4.4.7&#8243; collapsed=&#8221;off&#8221;][et_pb_column type=&#8221;3_4&#8243; specialty_columns=&#8221;3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_row_inner _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column_inner saved_specialty_column_type=&#8221;3_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.4.7&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; transform_scale_linked=&#8221;off&#8221; transform_translate_linked=&#8221;off&#8221; hover_enabled=&#8221;0&#8243;]<\/p>\n<h2><\/h2>\n\n<p>Several decades ago the esteemed Italian director Marco Bellochio made a film titled \u201cSalto nel Vuoto,\u201d or \u201cLeap Into the Void.\u201d If the transition to 2021 after this incredible year feels to many of us like a similarly vertiginous leap, here at <strong>New Plaza Cinema <\/strong>we also feel fortunate that \u2014 with your invaluable enthusiasm and support \u2014 we&#8217;ve been able to at least figuratively \u201ckeep the lights on.\u201d<\/p>\n<p>Even before the pandemic changed everything, our year had started calamitously when the beloved NYIT cinema was destroyed in a January flood. You, our loyal audience flocked to a benefit screening at Symphony Space, stirred by \u201cCinema Paradiso\u201d and the late Ennio Morricone&#8217;s soaring themes, and the Museum of Art and Design quickly agreed to a revived film program in mid-March&#8230;but we know what happened then.<\/p>\n<p>Like dozens of other independent cinemas around the country, we knew we had to come up with alternate ways of engaging you until theatres could even think about re-opening. Fortunately a group of indie distributors soon created an informal network, offering their releases to what became a national \u201cvirtual cinema\u201d chain, which we were able to join. Since then we have played over a hundred films to date, with many more already scheduled for 2021.<\/p>\n<p>We also got into the podcasting business with our Classic Film Talk Back series, where I was joined by my long-time friend and colleague, Max Alvarez. I suspect just listing them here will trigger some Sunday afternoon memories:<\/p>\n<p><em>Swing Time, It Should Happen to You, The 400 Blows, The Last Picture Show, The Band Wagon, No Way Out, Baby Face, The Swimmer, I Vitelloni, The Manchurian Candidate, She Done Him Wrong, Le Samourai, My Darling Clementine, The Stunt Man, The Red Shoes, Paris Blues, Christmas Holiday, Breathless. <\/em><\/p>\n<p>Special support from Claudine Bacher and Janise Bogard made <em>The Red Shoes<\/em> and <em>Le Samourai<\/em> programs possible.<\/p>\n<p>Max also treated us to a series of effervescent lectures on Hollywood Musicals, Hitchcock, Mae West, Paris in the Movies, 1946 in the Cinema, A History of Movie Stunts, The Art of Movie Opening Credits, and the collaborations of Michael Powell and Emeric Pressburger, and Paul Newman and Joanne Woodward.<\/p>\n<p>Over 6,000 registrants joined us for these events, along with some special guests both announced and \u201csurprise: \u2014 Paul Newman and Joanne Woodward&#8217;s daughter, Burt Lancaster&#8217;s niece, Diahann Carroll&#8217;s daughter, \u201cStunt Man\u201d Steve Railsback&#8217;s nephew and \u201cParis Blues\u201d novelist Harold Flender&#8217;s daughter.<\/p>\n<p>Along the way several of our hard-working team mastered Zoom&#8230;.and we survived a Zoom bombing!\u00a0\u00a0 We also launched our new website.<\/p>\n<p>Now, as 2021 looms we are hopeful to secure a screening space for that long-anticipated day when we can gather again, and the lights go down&#8230;.We can&#8217;t predict just when that will be, but the closing this year of Landmark 57 has created both a shortfall and an opportunity for art film exhibition on our beloved Upper West Side.<\/p>\n<p>With your continued support and steadfastness, we hope to fill that need for this community&#8230;please keep watching these screens, wherever they may be!<\/p>\n<p>Thank you and Happy New Year!<\/p>\n<p><strong><em>Gary Palmucci and all of us at New Plaza Cinema<\/em><\/strong><\/p>\n<p>&nbsp;[\/et_pb_text][et_pb_comments show_avatar=&#8221;off&#8221; show_reply=&#8221;off&#8221; show_count=&#8221;off&#8221; _builder_version=&#8221;4.4.7&#8243; body_text_color=&#8221;#6b6b6b&#8221; body_font_size=&#8221;12px&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;14px&#8221;][\/et_pb_comments][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_sidebar orientation=&#8221;right&#8221; _builder_version=&#8221;4.4.7&#8243;][\/et_pb_sidebar][\/et_pb_column][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>  Several decades ago the esteemed Italian director Marco Bellochio made a film titled \u201cSalto nel Vuoto,\u201d or \u201cLeap Into the Void.\u201d If the transition to 2021 after this incredible year feels to many of us like a similarly vertiginous leap, here at New Plaza Cinema we also feel fortunate that \u2014 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-3969","post","type-post","status-publish","format-standard","hentry","category-garys-corner"],"_links":{"self":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/3969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/comments?post=3969"}],"version-history":[{"count":9,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/3969\/revisions"}],"predecessor-version":[{"id":4077,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/posts\/3969\/revisions\/4077"}],"wp:attachment":[{"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/media?parent=3969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/categories?post=3969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newplazacinema.org\/test_area\/wp-json\/wp\/v2\/tags?post=3969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}